Etichetă: puck theatre performances

THREE WISE MEN FROM BETHLEHEM (HU)

If an angel descends from heaven, would we let it into our hearts? In a world full of Christmas gifts and materialism, do we have any place left for the divine miracle?
„The Nativity plays have a great history, began from the times where Christianism was also originated. Christmas – as one of our most important holidays – starts the season of winter celebrations. This time was a great chance to revive and relive- and also share with others – the wisdom of the Christmas miracle.
The preparations for the Nativity play started at the end of the cultivation season, when the evenings began to be longer and the weather cooler. On these occasions, not only the children but mature men also took part in the play. Religious songs and joyous games – that’s how I remember my childhood.” -The director
Our wise men listen to the call and leave to follow the star to Bethlehem. During the way they fight, they get together, solve tasks and they lead us to Herod’s palace, then to the most divine place, to Bethlehem.
We get to know how does it feel not to find shelter for the night. Meanwhile, the devil is also awake, he tries to steal the newborn Jesus. Of course, he can’t succeed, because he is stopped by the Angel, the little Lamb, and the children.
This is a half traditional, half modern Nativity play, with a wooden spoon, straw bale and many more. The actors are Erdei Emese, Bodnár Tibor, Mostis Balázs, using the puppets that Gál Orsolya created. The text of the performance was produced by Demeter Ferencz, based on József Attila’s Három Királyok (Three Wise Men) poem and many folkloric elements.

Premiere: 07. 12. 2019.
Recommended age: 4+
Duration: 42 min

Script and director: Demeter Ferencz
Scenography and puppet design: Gál Orsolya
Cast: Erdei Emese, Bodnár Tibor, Mostis Balázs

 

THROUGH THE EYES OF THE LITTLE PRINCE (HU)

The play shows the journey of self-discovery and the return to the inner child through light, movement, and music. Based on Antoine de Saint-Exupéry’s The Little Prince, the main character is a symbol of purity, innocence and joie de vivre. The adult is portrayed as being controlled by social conventions and prejudices, but he eventually does find a way to face the challenges of his transformation. He returns to the sincerity and innocence of childhood. As viewers, we may wonder: can we sometimes do this, too?

Premiere: 23. 11. 2019.
Recommended age: 6 +
Duration: 50 min.

Director: Vadas László
Scenography: Albert Alpár
Costumes: Borsos Viola
Coreography: Jakab Melinda
Music: Domokos Előd
Cast: Jakabfi Ivett, Domokos Szabolcs, Urmánczi Jenő, Erdei Emese, Balogh Dorottya, Bondár Tibor, Mostis Balázs

 

SNOW WHITE AND THE SEVEN DWARFS (HU)

The performance is a contemporary adaptation of the Grimm brother’s classic tale. The story follows the original narratives, but in this adaptation, the idyllic tale has a twist: becomes more sinister. In this concept, the evil stepmother’s character gets into the middle of the events. In the beginning, she is not even a malefic figure, she becomes one during the story.

The scenery and costumes reflect on the modern world’s experiences, and in the performance are shown some contemporary situations as well. Although, the most essential thing for our audience is the fact, that in this modern tale there is a place for a happy ending and the good is winning at the end.

Premiere: 11. 05. 2019.
Recommended age: 6+
Duration: 70 min.

Script and director: Varga Ibolya
Music: Venczel Péter
Scenography, puppets and costume design: Cristian Rusu
Implementing: Elena Ilaș (painter), Florin Marin (sculptor)
Cast: Balogh Dorottya, Bondár Tibor, Domokos Szabolcs, Erdei Emese, Giriti Réka, György László, Kötő Áron, Patka Ildikó, Pünkösti Laura, Urmánczi Jenő, Balog Ferencz, Tóthpál Tamás

THE STAR-EYED SHEPHERD (HU)

„There was a king, who gave stupid orders and there was a shepherd who didn’t care about those words. In a situation like this, we need to face the issues. But which face, and also what kind of eyes does it have? We need to look into the enticing eyes without being charmed. And who can look into those starry-eyes and put them into the shade? Not the stupidity, nor the fear, or the bear, or huge hedgehogs, or sharp scythe, only the…well, yes, the princess can look into those eyes, besides, make them shine even more. The world is in order as long, as there exist these kinds of sights.” Szabó Attila

The performance is an adaptation of the well-known Hungarian folk-tale, with the identical title. The starry-eyes are the metaphor of a wise and innocent attitude. We can learn toughness from the shepherd who is refusing the nonsense orders of the king because it is not easy to fight against vanity, but the protagonist is capable of winning, due to his gifts: wiseness and humbleness.

Premiere: 10. 11. 2018.
Recommended age: 4+
Duration: 60 min.

Script and director: Szabó Attila
Scenography, puppets and costumes: Miareczky Edit
Music: Csernák Zoltán Samu
Coreography: Fosztó András
Cast: Domokos Szabolcs, Urmánczi Jenő, Erdei Emese, Pünkösti Laura, Balogh Dorottya, Bodnár Tibor, Kötő Áron

THE CURIOUS LITTLE ELEPHANT (HU)

This play, based on Kipling’s tale, guides us into the world of deep forest, and the world of the animals living there.

The peace in the wood can’t be disturbed, except maybe by one of the animals: the curious little elephant who has a lot of questions to ask all the time. The animals got tired of the constant bother; therefore, they send him away. During his long way, he faces many dangerous adventures, until one of them causes a twist in the story: the little elephant becomes an honored member of the wood’s community.

Premier: 1981, 2001.
Recommended age: 3+
Duration: 60 min.

Author: Rudyard Kipling
Adapted on stage: Nina Cassian
Director: Koblicska Kálmán, Varga Ibolya
Scenography: Botár Edit
Music: Csortán Márton
Cast: Csortán Márton, Giriti Réka, György László, Pünkösti Laura, Patka Ildikó, Okos Attila Ákos, Urmánczi Jenő

 

THE ADVENTURES OF PAPRIKAJANCSI (HU)

„The adventures of Paprikajancsi are ageless because they tell stories about human stupidity and also about goodness in the world. The first one – as we know – is limitless, while the second one is slowly fading. According to the hundred years old experience, every trouble can be handled with a little smartness. The story shows these things, using historical methods of puppetry and having self-deprecating humor. We need to laugh and smile at our mistakes to evolve.” – Vadas László, the director.

The courage, wiseness, and vigilancy of Paprikajancsi helps him to win through the devil, in a story full of twists and adventures. The actors are playing more than ten roles, using hand puppets.

Premiere: 05. 02. 2018.
Recommended age: 3+
Duration: 50 min.

Script: Demeter Ferencz
Director: Vadas László
Scenography and puppet design: György László, Szabó Tünde
Music: Kötő Áron
Cast: Giriti Réka, György László

The Valiant Elf (RO)

The Valiant Elf is an allegory about the inner child which, like Cic, spreads the bliss of play and innocence around him. Childhood lived at any age is the key toward a miraculous world.

The story presents the journey of the elf hero, who, through his braveness and kindness, looks over The Pasture of the Golden Spring. In this magical immersion we discover the fantastical imagery of animals and other forest creatures. As a result of the encounters and challanges that Cic has to deal with, we have the chance to understand how individual decisions affect the entire meadow community. With each difficulty that Cic exceeds, with each experience lived through curiosity, friendships are bond. In this way the journey becomes a coming of age ritual.

The show has strong visual effects, and the whole artistic concept genuinely unifies the estethics of the puppetry along with the stage design, music and the actors’ play. The two worlds, that of actors and that of spectators are connected through short narratives told by three witty storytellers. Throughout their trickstery, they reveal the plot-changing elements of stage design and also animate the liminal space between the stage and the audience.